| The Last Lear | |
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Movie poster |
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| Directed by | Rituparno Ghosh |
| Produced by | Arindam Chaudhuri |
| Written by | Rituparno Ghosh Utpal Dutt |
| Starring | Amitabh Bachchan Preity Zinta Arjun Rampal Divya Dutta Shefali Shah Jisshu Sengupta |
| Music by | Raja Narayan Deb Sanjoy Das |
| Cinematography | Abhik Mukhopadhyay |
| Editing by | Arghya Kamal Mitra |
| Studio | Planman Motion Pictures |
| Release date(s) | September 9, 2007 (TIFF) September 12, 2008 (Worldwide) |
| Running time | 130 minutes |
| Country | India |
| Language | English |
The Last Lear is an Indian film, in the English language, directed by Rituparno Ghosh. The film won the National Award of India for Best Feature Film in English in 2007.[1] The film stars Amitabh Bachchan, Preity Zinta, Arjun Rampal, Divya Dutta, Shefali Shah and Jisshu Sengupta. Shefali Shah won the 2007 Best Supporting Actress National Award for her role in the movie. It was produced by Arindam Chaudhuri of Planman Motion Pictures.
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Basing the script on Utpal Dutt's play Aajker Shahjahan, Rituparno Ghosh penned it in 2006, and turned to the actors in February 2007, all of whom accepted the offer.[2] The film began shooting from 28 February 2007 to 10 April 2007; principal shooting took place in Kolkata and some shooting took place in Mussoorie, Uttaranchal.[3] Dubbing for the film ended on 31 August 2007.[4]
The Last Lear premiered at the 2007 Toronto International Film Festival on 9 September[5] and received a significant reception, earning many accolades after being showcased at a Gala Presentation.[6]
The film was later showcased at the London Film Festival, and the International Film Festival of India in Goa.[7] The film was received positively by critics with many saying that Bachchan has given a career best performance.[8]
The story revolves around Harish Mishra (Amitabh Bachchan), a retired Shakespearean theatre actor who spent precisely thirty years and nine months on stage and then suddenly quit, and his first and last act as a cinema artist. He is immensely passionate about Shakespeare, believes that nothing even comparable can ever be written, knows all his plays by heart, lives in those stories, condemns modern cinema and considers theatre as a much higher artform for directors and actors to convey their message to an audience.
It is Diwali, a time when box offices are flooded with new releases and Shabnam (Preity Zinta) has to attend the premiere of her latest movie: The Mask. However, she decides to visit her co-star Harish and heads to a cubbyhole of old Kolkata where Harish is bedridden in a coma. He is being taken care by Vandana (Shefali Shah) and a nurse, Ivy (Divya Dutta). Vandana treats Shabnam with spite as she blames her and the entire cast and crew for Harish's condition. But soon they are seen bonding over tea and are involved in a conversation about Harish. In flashbacks, their story and equation with Harish emerges.
The movie sees parallel narration from Goutam (Jishu Sengupta), a journalist who recalls his encounters with the veteran actor. He had suggested Harish for the lead role to his elder brother Siddharth (Arjun Rampal) who happens to be an ambitious perfectionist director. After a casual meeting with Harish, Siddharth realizes that to convince Harish to act in his film, he has to win his trust and establish a relationship with him. And, hence, the impatient young auteur attempts to win the trust and collaboration of the aged performer, who sits raging against the modern world from the sanctuary of his study. Sporting a silver mane, Bachchan is irresistible — vain, forceful and impetuous. He trumpets the superiority of Shakespeare over anything modern cinema can ever create.
Harish finally agrees to act in the film. Shooting happens on the stunning Himalayan foothills of Mussoorie. On the sets he befriends Shabnam and teaches her lessons on acting, life and Shakespeare. As the story unfolds one gets to know his relationship with Vandana, the reason behind his quitting theatre and last but not the least the reason for his illness. The Last Lear becomes a captivating reflection on the comparative artifices of stagecraft and cinema.
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